There’s only one person in the whole world who remembers the famous prophet Astrid Glyn: The Berserker Soren Bearstar.
Ever since Astrid agreed to give up her life, her name, and her prophetic dreams to become Idun the Young, who protects the apples of immortality in a secret mountain orchard, she’s been forgotten by everyone. Everyone except Soren.
For the last two years, he’s faithfully visited her every three months. Then one day he doesn’t come. Though forbidden to leave the orchard, Astrid defies the gods to find Soren. But ancient creatures are moving beneath the country. Astrid’s quest might be the key they need to leave the shadows behind forever.
Not-quite-a-goddess, but no longer only a girl, Astrid finds herself in a situation here fate–and not just her own—lies in the balance. Is there a way to save herself and those she loves, or will this choice unravel the ancient magic holding the nine worlds together?
(from back of book)
This is the fourth and final installment in The United States of Asgard, following The Lost Sun, The Strange Maid, and the novella collection The Weight of Stars. In a United States where the new world was settled was settled by the Norse and their gods, berserkers form packs to serve Odin Allfather, the army looks to Thor Thunderer, and the seething dances of Freya’s prophets pluck the strings of fate for answers and possibilities. It is our world but not, familiar and known but woven through with new vitality.
I adored The Lost Sun. It’s where we meet Astrid and Soren, a famous prophetess and a berserker who would really like to NOT be a berserker, as they search for the god Baldur, who didn’t wake up from death quite where he was supposed to. It’s a fantastically rich world with strong, vibrant characters, and if you don’t come out of it with a puppy love crush on Soren, there might be something wrong with you. Despite fears to the contrary, because middle books usually bore me, The Strange Maid was EVEN BETTER. Signy Valborn, who’s been promised to the Allfather as a Valkyrie since she was a child, has a riddle to solve before she can take her place. I love Signy. Fierce, prickly, angry, unapologetic, half-mad Signy, who doesn’t care if she’s liked so long as she can serve, and whose heart’s desire may be the thing that destroys her. I was looking forward to the conclusion like woah.
And then Random House cancelled the series.
It happens sometimes, and it pretty much always sucks, but what we as readers tend to forget is that publishing is a business. Sometimes businesses make decisions that their consumers don’t like, but it protects their bottom line so we just have to deal with it. So, when Tessa said she was self-publishing the novellas and the conclusion, I was thrilled. Self-publishing to create a good product is not easy, quick, or cheap. There is a great deal more involved in the process than most people give credit for. What came out was a beautiful package, a well-crafted product, and an amazing conclusion.
If Soren’s journey was about accepting himself, and Signy’s about anchoring herself, then Astrid’s journey is about making herself. Massively oversimplified, of course, but still true. What she has been all her life is gone, lost by her choice to join the gods, and yet her godly identity is neither truly her nor truly godly. The prophet who once danced the webs of fate and plucked the strings to see possibilities is now outside the binds of fate altogether, able to influence but not to be seen. Her journey may start by looking for Soren, but along the way she finds a great deal of herself, finding the places Astrid and Idun intersect.
There is so much to love in this book, but I think one of my favorite elements may be the introduction of characters from the novellas. Amon Thorson is a bastard son of Thor trading items pretty comfortably on the wrong side of illegal. But then, when your step-mother is the goddess of marriage, your life starts out awkward and just goes downhill from there. Unless you’re Amon’s sister Gunn-Elin, who dedicates herself to her step-mother’s priesthood and finds purpose within the ossuary.
Then there’s Thor’s best hunter, Sune Rask, who has a complicated history with Amon, and there’s Signy. Signy with her abruptness and her consuming fury and sorry and complete lack of shame for any of it. You don’t have to have read the novellas to understand the new characters, but there’s definitely some virtue is doing so. As people previously unknown to Astrid, or known only through rumor or story, they help her define the changes in herself the way more familiar characters wouldn’t be able to.
If you love Norse mythology or alternate history, if you love journeys of discovery, if you love witty banter and irreverent bobble-heads, definitely check out this book. But, make sure you read the first two. The novellas add without detracting, but the histories of Soren, Astrid, and Signy are definite must-reads, not simply because they’re awesome but because they build directly into our understanding of how these people grow and change. These books will be on my re-read list again and again and again in the years to come.